From the Pit to the Podium: Q&A with Fabien Gabel

From his early days of trumpet lessons at age six to conducting some of the world’s most renowned orchestras for both stage and screen, and being named ‘Chevaliers des Arts et des Lettres’ by the French government in January 2020, Fabien Gabel has forged a career of the highest calibre.

Ahead of his time in Perth, we spoke with Fabien to find out what drew him to the world of conducting, how his family shaped him as a musician and why he loves returning to WA.

You were born into a family of accomplished musicians. How did that impact your relationship with music and musicianship?

As far as I can remember, I always heard music at home. My dad practicing his piccolo trumpet for his concerts with Karl Richter or Karl Munchinger, and my mom playing the harp. I clearly remember having attended a performance of Bach’s Brandenburg Concerto No.2, with my dad playing, when I was 5.

So, music has always been part of my everyday life. One of my greatest memories is when my dad asked me if I wanted to come and sit next to him in the pit of Paris opera! However, my parents never forced me to become a musician.

What initially inspired you to become a conductor?
Probably the fact that I played in an orchestra at a very young age. Then later, in my very early 20s, I had the privilege of playing under the direction of famous and great conductors. That probably initiated and forged my desire to try conducting.

Your career sees you travelling around the world to work with the most prestigious international orchestras. How do you typically prepare for a concert?
I usually prepare new repertoire a few months in advance. I use my free time or when I'm home to study at a desk or with a piano.

What advice would you give to someone pursuing a career as a conductor?
If you want to lead an orchestra you'd better know how to play with other musicians! So, I encourage apprentice conductors to play in an orchestra. You learn how to breathe, how to produce and shape the sound etc...

You’ve performed with WASO a number of times – it’s always great to have you back! What are some of your most memorable moments of conducting WASO?
I would say every moment! I'm happy that we have built a very good relationship, and I utterly appreciate the preparation of the musicians and their professionalism.

Mozart’s Odyssey includes some of the composer’s most popular works. What is something that audiences can look forward to from this program?
Audiences will hear popular Mozart but also less played works such as Idomeneo Ballet. Mozart was probably the only composer capable of conveying every human feeling through his music. I humbly think that he has never been surpassed. Any single person can identify with his music.

What is it about Perth that keeps you coming back?
Great music making, fantastic friends and great wines.

Mozart’s Odyssey
4 & 5 October, Perth Concert Hall
Tickets on sale now